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KING OF THE FOREST OR AN ATTEMPT TO GET DIRTY A Tale "King of the Forest or an Attempt to Get Dirty", Slobodan Tišma "King of the Forest", multimedia pseudo-opera Short story: Slobodan Tišma "Trans_European Forum: Art and Media in Transition", May 2004 KING OF THE FOREST OR AN ATTEMPT TO DIRT with nature, with animal homeostasis.”Slavoj Žižek, The Sublime Object of Ideology
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Bogdanka and Dejan Poznanović were very important people on the Yugoslavian cultural scene in the last decades of the 20th century. With their work on the 'Youth Tribune', they represented the social integrators of the then cultural scene in Novi Sad with the cultural space of Yugoslavia and Europe. Poznanovićs was one of the founders of the 'Youth Tribune', which promoted new understandings in art and literature as opposed to the official propaganda of 'socialist realism. At that time, the 'tribune' was a meeting place for forbearers of new tendencies in culture, such as Vasko Popa, Oskar Davičo, Miodrag Pavlović, Branko Miljković, Tomaž Šalamun, Michelangelo Pistoleto, Marina Abramović, Slovenian, Macedonian, Croatian and artists from all over Yugoslavia. In the period from 1954, the Tribune was a place of integration of artists from Novi Sad and Vojvodina, whose critical and conceptual work influenced the formation of a unique cultural identity of this area. Among these artists are Slavko Bogdanović, Miroslav Mandić, Slobodan Tišma, Mirko Radojičić, Čeda Drča, Vladimir Kopicl, the Bosch + Bosch group, the OHO group, etc.
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Public discussion "Omitted history" on the occasion of the opening of the exhibition, 18.11.2005.
Discussion moderator: Želimir Žilnik, film director, Novi Sad
Discussion participants:
Dr. Zvonko Maković, art historian, Head of the Department of Art History at the Faculty of Philosophy in Zagreb
Dr. Latinka Perović, historian, Belgrade
Dr. Nebojsa Popov, sociologist, editor of the magazine "Republika", Belgrade
Lazar Stojanović, film director, Belgrade
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For an Idea – Against the Status Quo - Analysis and Systematization of Želimir Žilnik's Artistic Practice is an attempt to create a research platform dedicated to the problematic relationship between Žilnik's artistic engagement and political and social environment of his work from the beginning of 1967 to present. The versatile material in front of you is a starting point for further analysis, valorisation and systematization of Žilnik's cinematographic work. http://zilnikzelimir.net/
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